Expressionism in four of Eugene O'Neill's plays. (c1963)

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dc.contributor.author Bordcosh, Leila Costandi
dc.date.accessioned 2012-07-10T09:56:40Z
dc.date.available 2012-07-10T09:56:40Z
dc.date.copyright 1963 en_US
dc.date.issued 2012-07-10
dc.date.submitted 1963-06
dc.identifier.uri http://hdl.handle.net/10725/1202
dc.description Includes bibliographical references (l. 52-53). en_US
dc.description.abstract I have endeavored to discuss expressionism in four plays written by the American playwright, Eugene O'Neill. In the first Chapter I have traced the historical background of expressionism in fine arts-painting and drama. The other two chapters deal with expressionism in O'Neill's four plays: the Emperor Jones, the Hairy Ape the Great God Brown and Dynamo. In the second Chapter I have discussed expressionism as 1 t appears in the themes of the plays and in the literary devices O’Neill used to write these plays. The theatrical and technical devices of these plays were my concern in the last chapter of this study. en_US
dc.language.iso en en_US
dc.subject Expressionism (Art) en_US
dc.title Expressionism in four of Eugene O'Neill's plays. (c1963) en_US
dc.type Thesis en_US
dc.term.submitted Spring en_US
dc.author.school Arts and Sciences en_US
dc.author.woa RA en_US
dc.description.physdesc 1 bound copy: 53 leaves. Available at RNL. en_US
dc.author.division Comparative Literature en_US
dc.author.advisor Mr. Eberhard Boecker
dc.identifier.doi https://doi.org/10.26756/th.1963.4 en_US
dc.publisher.institution Lebanese American University en_US

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