Expressionism in four of Eugene O'Neill's plays. (c1963)

Bordcosh, Leila Costandi

dc.contributor.author	Bordcosh, Leila Costandi
dc.date.accessioned	2012-07-10T09:56:40Z
dc.date.available	2012-07-10T09:56:40Z
dc.date.copyright	1963	en_US
dc.date.issued	2012-07-10
dc.date.submitted	1963-06
dc.identifier.uri	http://hdl.handle.net/10725/1202
dc.description	Includes bibliographical references (l. 52-53).	en_US
dc.description.abstract	I have endeavored to discuss expressionism in four plays written by the American playwright, Eugene O'Neill. In the first Chapter I have traced the historical background of expressionism in fine arts-painting and drama. The other two chapters deal with expressionism in O'Neill's four plays: the Emperor Jones, the Hairy Ape the Great God Brown and Dynamo. In the second Chapter I have discussed expressionism as 1 t appears in the themes of the plays and in the literary devices O’Neill used to write these plays. The theatrical and technical devices of these plays were my concern in the last chapter of this study.	en_US
dc.language.iso	en	en_US
dc.subject	Expressionism (Art)	en_US
dc.title	Expressionism in four of Eugene O'Neill's plays. (c1963)	en_US
dc.type	Thesis	en_US
dc.term.submitted	Spring	en_US
dc.author.school	Arts and Sciences	en_US
dc.author.woa	RA	en_US
dc.description.physdesc	1 bound copy: 53 leaves. Available at RNL.	en_US
dc.author.division	Comparative Literature	en_US
dc.author.advisor	Mr. Eberhard Boecker
dc.identifier.doi	https://doi.org/10.26756/th.1963.4	en_US
dc.publisher.institution	Lebanese American University	en_US